Tencent Music Entertainment Group Announces Third Quarter 2025 Unaudited Financial Results
Tencent Music Entertainment (NYSE: TME) reported third quarter 2025 unaudited results for the period ended September 30, 2025. Total revenues were RMB8.46 billion (US$1.19 billion), up 20.6% YoY, driven by online music services of RMB6.97 billion (+27.2% YoY). Music subscription revenue reached RMB4.50 billion (+17.2% YoY) and monthly ARPPU rose to RMB11.9 from RMB10.8. Net profit attributable was RMB2.15 billion (+36.0% YoY) and non-IFRS net profit attributable was RMB2.41 billion (+32.6% YoY). Cash and short-term investments totaled RMB36.08 billion as of September 30, 2025.
Operational highlights included renewed label/artist deals, expanded concert and IP activity, product innovations (AI features, immersive audio), and growth in SVIP penetration and ARPPU.
Tencent Music Entertainment (NYSE: TME) ha riportato risultati non controllati del terzo trimestre 2025 per il periodo chiuso al 30 settembre 2025. Totali ricavi sono stati RMB8,46 miliardi (US$1,19 miliardo), in crescita del 20,6% YoY, trainati dai servizi di musica online di RMB6,97 miliardi (+27,2% YoY). Ricavi da abbonamenti musicali hanno raggiunto RMB4,50 miliardi (+17,2% YoY) e il monthly ARPPU è salito a RMB11,9 da RMB10,8. Utile netto attribuibile è stato RMB2,15 miliardi (+36,0% YoY) e l'utile netto non IFRS attribuibile è stato RMB2,41 miliardi (+32,6% YoY). Le disponibilità liquide e investimenti a breve termine totalizzavano RMB36,08 miliardi al 30 settembre 2025.
Gli aspetti operativi hanno incluso rinnovo di accordi con etichette/artisti, espansione di concerti e attività IP, innovazioni di prodotto (funzionalità AI, audio immersivo) e crescita della penetrazione SVIP e dell'ARPPU.
Tencent Music Entertainment (NYSE: TME) presentó resultados no auditados del tercer trimestre de 2025 para el periodo finalizado el 30 de septiembre de 2025. Ingresos totales fueron RMB8,46 mil millones (US$1,19 mil millones), con un aumento del 20,6% interanual, impulsados por servicios de música en línea de RMB6,97 mil millones (+27,2% interanual). Ingresos por suscripción musical alcanzaron RMB4,50 mil millones (+17,2% interanual) y el ARPPU mensual subió a RMB11,9 desde RMB10,8. Beneficio neto atribuible fue RMB2,15 mil millones (+36,0% interanual) y el beneficio neto no IFRS atribuible fue RMB2,41 mil millones (+32,6% interanual). Los efectivo y equivalentes de efectivo e inversiones a corto plazo totalizaron RMB36,08 mil millones al 30 de septiembre de 2025.
Los aspectos operativos incluyeron renovación de acuerdos de sello/artistas, expansión de conciertos y actividad de IP, innovaciones de producto (características de IA, audio inmersivo) y crecimiento de la penetración SVIP y del ARPPU.
Tencent Music Entertainment (NYSE: TME)가 2025년 9월 30일 종료된 기간에 대한 2025년 3분기 비감사 실적을 발표했습니다. 총매출은 RMB8.46억 위안 (미화 19억 달러)으로 전년 동기 대비 20.6% 증가, 온라인 음악 서비스가 RMB6.97억 위안으로 (+27.2% YoY) 견인했습니다. 음악 구독 매출은 RMB4.50억 위안으로 (+17.2% YoY) 증가했고 월 ARPPU는 RMB11.9로 올라 RMB10.8에서 상승했습니다. 순이익 귀속은 RMB2.15억 위안(+36.0% YoY) 이고 IFRS 비귀속 순이익은 RMB2.41억 위안(+32.6% YoY) 이었습니다. 2025년 9월 30일 기준 현금 및 단기투자자산은 RMB36.08억 위안이었습니다.
운영 하이라이트로는 레이블/아티스트와의 재계약, 콘서트 및 IP 활동의 확장, 제품 혁신(ai 기능, 몰입형 오디오) 및 SVIP 침투율과 ARPPU의 증가가 포함되었습니다.
Tencent Music Entertainment (NYSE: TME) a publié des résultats non vérifiés du troisième trimestre 2025 pour la période clos le 30 septembre 2025. Les revenus totaux s'élevaient à RMB8,46 milliards (1,19 milliard de dollars américains), en hausse de 20,6% en glissement annuel, portés par les services de musique en ligne à RMB6,97 milliards (+27,2% en glissement annuel). Les revenus d'abonnement musical atteignaient RMB4,50 milliards (+17,2% en glissement annuel) et l'ARPPU mensuel est monté à RMB11,9 contre RMB10,8. Le bénéfice net attribuable s'élevait à RMB2,15 milliards (+36,0% en glissement annuel) et le bénéfice net non IFRS attribuable était RMB2,41 milliards (+32,6% en glissement annuel). La trésorerie et les investissements à court terme totalisaient RMB36,08 milliards au 30 septembre 2025.
Les points opérationnels comprenaient le renouvellement d'accords avec des labels/artistes, l'expansion des concerts et des activités IP, des innovations produit (fonctionnalités IA, audio immersif) et la croissance de la pénétration SVIP et de l'ARPPU.
Tencent Music Entertainment (NYSE: TME) meldete unaudited Ergebnisse für das dritte Quartal 2025 für den Zeitraum zum 30. September 2025. Gesamtumsatz betrug RMB8,46 Mrd. (US$1,19 Mrd.), ein Anstieg von 20,6% YoY, getrieben von Online-Musikdiensten mit RMB6,97 Mrd. (+27,2% YoY). Umsatz aus Musikabonnements erreichte RMB4,50 Mrd. (+17,2% YoY) und der monatliche ARPPU stieg auf RMB11,9 von RMB10,8. Nettogewinn zurechenbar betrug RMB2,15 Mrd. (+36,0% YoY) und der NICHT IFRS zurechenbare Nettogewinn betrug RMB2,41 Mrd. (+32,6% YoY). Barbestände und kurzfristige Investitionen beliefen sich zum 30. September 2025 auf RMB36,08 Mrd..
Zu den operativen Highlights gehörten erneute Verträge mit Labels/Künstlern, erweiterte Konzerte und IP-Aktivitäten, Produktinnovationen (KI-Funktionen, immersiver Klang) sowie Wachstum der SVIP-Durchdringung und des ARPPU.
تسـنـت مونك إنتربِـراتنمنت (NYSE: TME) أبلغت عن نتائج غير مُدَقَّقة للربع الثالث من عام 2025 للفترة المنتهية في 30 سبتمبر 2025. إجمالي الإيرادات بلغ 8.46 مليار يوان صيني (1.19 مليار دولار أمريكي)، بارتفاع بنسبة 20.6% على أساس سنوي، مدفوعاً من خدمات الموسيقى عبر الإنترنت التي بلغت 6.97 مليار يوان صيني (+27.2% على أساس سنوي). إيرادات اشتراكات الموسيقى بلغت 4.50 مليار يوان صيني (+17.2% على أساس سنوي) وارتفع ARPPU الشهري إلى 11.9 يوان من 10.8. صافي الربح القابل للمحاسبة كان 2.15 مليار يوان صيني (+36.0% على أساس سنوي) و**صافي الربح غير IFRS القابل للمحاسبة** كان 2.41 مليار يوان صيني (+32.6% على أساس سنوي). النقد والودائع والاستثمارات قصيرة الأجل بلغت 36.08 مليار يوان صيني حتى 30 سبتمبر 2025.
واشتملت الإبرازات التشغيلية على تجديد اتفاقات مع علامات/فنانين، وتوسيع الحفلات والأنشطة المتعلقة بحقوق الملكية الفكرية، وابتكارات المنتجات (ميزات AI، صوت غامر)، ونمو اختراق SVIP وARPPU.
- Total revenues RMB8.46 billion, +20.6% YoY
- Online music revenue RMB6.97 billion, +27.2% YoY
- Net profit attributable RMB2.15 billion, +36.0% YoY
- Music subscription revenue RMB4.50 billion, +17.2% YoY
- Monthly ARPPU RMB11.9, up from RMB10.8
- Cash and short-term investments RMB36.08 billion
- MAUs – online music 551 million, down 4.3% YoY
- Cost of revenues RMB4.78 billion, +18.8% YoY
- Revenues from social entertainment down 2.7% to RMB1.49 billion
- Selling and marketing spend up 18.2% to RMB260 million
Insights
TME posted solid Q3 2025 revenue and profit growth, driven by subscriptions and live/offline services.
Tencent Music Entertainment Group reported total revenues of
The business mechanism is clear: higher ARPPU and expanded SVIP features drove subscription revenue and margin expansion, while offline concerts and merchandise added non-subscription revenue. Cost pressures arose from offline performance costs and merchandise, but gross margin expanded to
Key dependencies and risks include audience scale and monetization balance. MAUs declined
Concrete items to watch over the next quarter include trends in MAUs, paying-user conversion and SVIP penetration, revenue contribution from offline performances and merchandise, and potential changes in revenue sharing ratios. Near-term horizon: monitor Q4 operating metrics and next earnings release for confirmation of durable ARPPU and subscription trends.
Third Quarter 202 5 Financial Highlights
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Total revenues were
RMB8.46 billion (US ), representing a$1.19 billion 20.6% year-over-year increase, primarily due to strong year-over-year growth in revenues from online music services. -
Revenues from online music services were
RMB6.97 billion (US ), representing$979 million 27.2% year-over-year growth. Revenues from music subscriptions wereRMB4.50 billion (US ), representing$632 million 17.2% year-over-year growth. Monthly ARPPU grew toRMB11.9 fromRMB10.8 in the same period of 2024. -
Net profit attributable to equity holders of the Company was
RMB2.15 billion (US ), representing$302 million 36.0% year-over-year growth. Non-IFRS net profit attributable to equity holders of the Company[1] wasRMB2.41 billion (US ), representing$338 million 32.6% year-over-year growth. -
Diluted earnings per ADS was
RMB1.38 (US ), up from$0.19 RMB1.01 in the same period of 2024. Non-IFRS diluted earnings per ADS wasRMB1.54 (US ), up from$0.22 RMB1.16 in the same period of 2024. -
Total
cash, cash equivalents, term deposits and short-term investments as of September 30, 2025 were
RMB36.08 billion (US ).$5.07 billion
Mr. Cussion Pang, Executive Chairman of TME, commented, "In the third quarter, we delivered another set of solid results, underpinned by the well-rounded performance of our online music business. Our ongoing innovations in content enrichment, services expansion to include more live experiences continued to fuel consistent subscription revenue growth while boosting momentum in non-subscription services, especially in concerts and artist merchandise. Backed by our strong financial position and operational excellence, we are poised to further broaden our music services and create greater value for the entire music industry."
Mr. Ross Liang, CEO of TME, continued, "We are pleased that our ecosystem continues to thrive. A creative approach to personalized offerings and experiences, supported by deepening user insights, continued to strengthen user loyalty, leading to further increases in both SVIP penetration and ARPPU. Moving forward, we will further sharpen our core strengths, enhance platform efficiency, and capture emerging opportunities as we continue to drive music creation and consumption."
Third Quarter 202 5 Operational Highlights
- Key Operating Metrics
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3 Q2 5 |
3 Q2 4 |
YoY % |
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MAUs – online music (million) |
551 |
576 |
(4.3 %) |
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Paying users – online music (million) |
125.7 |
119.0 |
5.6 % |
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Monthly ARPPU – online music (RMB) |
11.9 |
10.8 |
10.2 % |
Broadened music offerings in different genres and languages to further enrich our content ecosystem.
- Enhanced partnerships with renowned labels and artists to further expand our comprehensive music catalog. For example, 1) Renewed contracts with the Korean label DREAMUS, as well as popular artists including G.E.M., Jason Zhang, and Lay Zhang[2], to strengthen our collection of top hits. 2) Formed strategic partnerships with renowned Japanese ACG label KING RECORDS and Korean label CEREAL, expanding our collection of anime soundtracks and Korean OSTs.
- Teamed up with leading game developers to broaden game-related music selection. 1) Partnered with Tencent Games to co-produce the Honor of Kings 10th-anniversary theme song, Atlas of Tomorrow, performed by JJ Lin. The success of the song garnered over 600 million social media mentions within two weeks of its release, standing out as one of the year's most impactful game soundtracks. 2) Entered into an inaugural collaboration with Blizzard Entertainment, introducing 50 original soundtracks from iconic game titles including World of Warcraft and Hearthstone.
- Deepened offerings to strengthen artist-fan connections. 1) The joint release of Lay Zhang's new digital album ROCK THE HEAVENLY PALACE and its collectible cards drove strong participation and purchases, earning it a spot among the 2025's top selling albums. 2) Produced the first physical album, My Odyssey, for Bai Lu, which generated high acclaim from fans and achieved strong sales.
Proven ability to stage live concerts enabled us to scale and extend services to international markets.
- Organized and staged large-scale concert tours, home and abroad. 1) After successfully hosting G-DRAGON's concerts G-DRAGON 2025 WORLD TOUR [Übermensch] in the second quarter, we hosted 14 additional sold-out shows for him in the third quarter. Such shows expanded across six cities - including
Sydney ,Melbourne , andKuala Lumpur , drawing over 150,000 attendees, significantly elevating our global presence. 2) Organized and supported major concert tours for renowned artists such as Fiona Sit, TIA RAY, Angela Zhang and GAI, amplifying their reach. Notably, we helped GAI upscale his concert from an arena-level to a stadium-level event. - Expanded our proprietary concert IP portfolio with the launch of the TMElive International Music Awards (TIMA), celebrating international artists' achievements and enhancing our industry influence. The inaugural TIMA showcased 22 acclaimed artists and groups from
China and a number of Asian countries — including acts by BILLKIN, PP KRIT, aespa and SMTR25, garnering over 20,000 attendees over two days. Meanwhile, our annual flagship TMEA 2025 attracted 35 artists and groups, drawing over 10,000 attendees and achieving remarkable online engagement.
Innovation and differentiated membership offerings improved user service and user loyalty.
- Remained at the forefront of designing delightful music journeys for users. 1) Integration of Apple's Liquid Glass mode on iOS26, Liquid Glass themes and player to Android, as well as full Harmony OS adaption significantly improved visual and interactive experiences. 2) Our AI-generated lyrics card function, and AI-powered seamless multi-mode song transition feature Automix, both of which enhanced immersive listening experiences.
- Multi-pronged membership offerings contributed to improved engagement and conversion. Across our freemium mode, ads membership, and standard membership, differentiated services were tailored to meet distinct user needs. Users can conveniently unlock additional tools and perks by opting for any plan that best suits their preferences. For example, our newly introduced ads membership observed a growing propensity among freemium users, with their daily time spent on the platform trending upward.
Both SVIP penetration and ARPPU further improved thanks to superior streaming experiences and enriching artist-related benefits.
- Accelerated the rollout and application of premium sound features. QQ Music's newly introduced three-dimensional immersive DTS Booming External Speaker and Kugou Music's Viper Ultra Sound 2.0 were widely adopted, highly effective in converting and sustaining SVIP.
- Leveraged user insights and rich content to widen innovative offerings. 1) Privileged access to digital albums and collectible NFC cards such as Eason Chan's FEAR and DREAMS as well as i-dle's self-titled Japanese EP was some of the key draws driving increased SVIP adoption. 2) Expanded Starlight cards with more popular artists line-ups to domestic and international audience was another success.
- Through bubble, we continued to enrich fan-artist connections. 1) Expanded bubble artist roster by onboarding 15 musicians from domestic labels including Hu Xia, NexT1DE, and R.E.D to enrich content diversity which in turn attracted a broader user base. Ongoing product feature iterations, such as AI-powered in-app localization, have also boosted user retention. 2) Introduced more fun and engaging badges to celebrate artists' key moments, fostering a deeper sense of connection and community.
Third Quarter 202 5 Financial Review
Total revenues increased by
-
Revenues from online music services increased by
27.2% toRMB6.97 billion (US ), compared with$979 million RMB5.48 billion in the same period of 2024. The increase was driven by solid growth in music subscription revenues, supplemented by growth in revenues from offline performances, advertising services and artist-related merchandise. Revenues from music subscriptions wereRMB4.50 billion (US ), representing$632 million 17.2% year-over-year growth, compared withRMB3.84 billion in the same period of 2024. The rapid growth was mainly driven by the improved monthly ARPPU, which increased toRMB11.9 in the third quarter of 2025 fromRMB10.8 in the same period of 2024. This growth of monthly ARPPU was primarily due to expansion of the SVIP membership program, as we continued to expand SVIP membership privileges for our users. Revenues from offline performances achieved robust year-over-year growth. We successfully hosted G-DRAGON's concerts across six cities, achieving strong ticket sales. The year-over-year increase in revenues from advertising was primarily due to our more diversified product portfolio and innovative ad formats, such as ad-supported mode. Additionally, revenues from artist-related merchandise also generate strong year-over-year growth. -
Revenues from social entertainment services and others decreased by
2.7% toRMB1.49 billion (US ) from$210 million RMB1.54 billion in the same period of 2024.
Cost of revenues increased by
Gross margin increased to
Total operating expenses increased by
- Selling and marketing expenses were
RMB260 million (US ), representing an$37 million 18.2% year-over-year increase. The increase was primarily due to higher content promotion expenses and channel spending. - General and administrative expenses were
RMB1.05 billion (US ), representing a$148 million 5.3% year-over-year increase. The increase was primarily due to growth in employee-related expenses.
Total
operating profit was RMB2.71 billion (
Income tax expenses for the third quarter of 2025 were
For the third quarter of 2025, net profit was
Basic and diluted earnings per American Depositary Shares ("ADS") for the third quarter of 2025 were
As of September 30, 2025, the combined balance of the Company's cash, cash equivalents, term deposits and short-term investments amounted to
Environmental, Social, and Governance ("ESG")
In its seventh consecutive year, we added new elements to TME's Music Garden Space program to amplify its reach and impact. This time, we extended invitations to WeSing users to redeem their ads credits on our platform to support music creation. The campaign attracted 380,000 participants, mobilizing broader public support to make music more accessible.
Exchange Rate
This announcement contains translations of certain RMB amounts into
Non-IFRS Financial Measure
The Company uses non-IFRS net profit for the period, which is a non-IFRS financial measure, in evaluating its operating results and for financial and operational decision-making purposes. TME believes that non-IFRS net profit helps identify underlying trends in the Company's business that could otherwise be distorted by the effect of certain expenses that the Company includes in its profit for the period. TME believes that non-IFRS net profit for the period provides useful information about its results of operations, enhances the overall understanding of its past performance and future prospects and allows for greater visibility with respect to key metrics used by its management in its financial and operational decision-making.
Non-IFRS net profit for the period should not be considered in isolation or construed as an alternative to operating profit, net profit for the period or any other measure of performance or as an indicator of its operating performance. Investors are encouraged to review non-IFRS net profit for the period and the reconciliation to its most directly comparable IFRS measure. Non-IFRS net profit for the period presented here may not be comparable to similarly titled measures presented by other companies. Other companies may calculate similarly titled measures differently, limiting their usefulness as comparative measures to the Company's data. TME encourages investors and others to review its financial information in its entirety and not rely on a single financial measure.
Non-IFRS net profit for the period represents profit for the period excluding amortization of intangible and other assets arising from business acquisitions or combinations, share-based compensation expenses, net losses/gains from investments and related income tax effects.
Please see the "Unaudited Non-IFRS Financial Measure" included in this press release for a full reconciliation of non-IFRS net profit for the period to its net profit for the period.
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[1] Non-IFRS net profit attributable to equity holders of the Company was arrived at after excluding the combined effect of amortization of intangible assets and other assets arising from business acquisitions or combinations, share-based compensation expenses, net losses/gains from investments, and related income tax effects. |
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[2] Names grouped by artists and bands, sorted in alphabetical order by family names. |
About Tencent Music Entertainment
Tencent Music Entertainment Group (NYSE: TME and HKEX: 1698) is the leading online music and audio entertainment platform in
Safe Harbor Statement
This press release contains forward-looking statements. These statements are made under the "safe harbor" provisions of the
Investor Relations Contact
Tencent Music Entertainment Group
ir@tencentmusic.com
+86 (755) 8601-3388 ext. 885034
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TENCENT MUSIC ENTERTAINMENT GROUP |
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CONSOLIDATED INCOME STATEMENTS |
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Three Months Ended September 30 |
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Nine Months Ended September 30 |
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2024 |
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2025 |
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2024 |
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2025 |
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RMB |
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RMB |
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US$ |
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RMB |
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RMB |
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US$ |
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Unaudited |
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Unaudited |
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Unaudited |
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Unaudited |
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Unaudited |
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Unaudited |
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(in millions, except per share data) |
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(in millions, except per share data) |
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Revenues |
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Online music services |
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5,480 |
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6,969 |
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979 |
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15,911 |
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19,627 |
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2,757 |
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Social entertainment services and others |
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1,535 |
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1,494 |
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210 |
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5,032 |
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4,634 |
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651 |
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7,015 |
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8,463 |
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1,189 |
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20,943 |
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24,261 |
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3,408 |
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Cost of revenues |
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(4,024) |
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(4,781) |
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(672) |
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(12,171) |
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(13,588) |
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(1,909) |
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Gross profit |
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2,991 |
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3,682 |
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517 |
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8,772 |
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10,673 |
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1,499 |
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Selling and marketing expenses |
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(220) |
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(260) |
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(37) |
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(617) |
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(675) |
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(95) |
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General and administrative expenses |
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(998) |
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(1,051) |
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(148) |
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(2,885) |
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(2,935) |
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(412) |
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Total operating expenses |
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(1,218) |
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(1,311) |
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(184) |
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(3,502) |
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(3,610) |
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(507) |
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Interest income |
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299 |
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245 |
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34 |
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881 |
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796 |
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112 |
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Other gains, net |
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72 |
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94 |
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13 |
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150 |
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2,665 |
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374 |
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Operating profit |
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2,144 |
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2,710 |
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381 |
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6,301 |
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10,524 |
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1,478 |
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Share of net profit of investments accounted |
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29 |
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11 |
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2 |
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65 |
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50 |
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7 |
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Finance cost |
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(97) |
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(32) |
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(4) |
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(153) |
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(69) |
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(10) |
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Profit before income tax |
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2,076 |
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2,689 |
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378 |
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6,213 |
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10,505 |
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1,476 |
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Income tax expense |
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(367) |
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(477) |
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(67) |
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(1,180) |
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(1,438) |
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(202) |
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Profit for the period |
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1,709 |
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2,212 |
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311 |
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5,033 |
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9,067 |
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1,274 |
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Attributable to: |
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Equity holders of the Company |
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1,583 |
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2,153 |
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302 |
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4,687 |
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8,853 |
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1,244 |
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Non-controlling interests |
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126 |
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59 |
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8 |
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346 |
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214 |
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30 |
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Earnings per share for Class A and Class B
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Basic |
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0.51 |
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0.70 |
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0.10 |
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1.52 |
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2.89 |
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0.41 |
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Diluted |
|
|
0.50 |
|
0.69 |
|
0.10 |
|
1.50 |
|
2.85 |
|
0.40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per ADS (2 Class A shares equal to 1 ADS) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
|
|
1.02 |
|
1.40 |
|
0.20 |
|
3.04 |
|
5.78 |
|
0.81 |
|
Diluted |
|
|
1.01 |
|
1.38 |
|
0.19 |
|
2.99 |
|
5.71 |
|
0.80 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Shares used in earnings per Class A and Class B |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
|
|
3,092,300,590 |
|
3,074,517,375 |
|
3,074,517,375 |
|
3,087,337,746 |
|
3,063,014,206 |
|
3,063,014,206 |
|
Diluted |
|
|
3,134,713,201 |
|
3,118,471,326 |
|
3,118,471,326 |
|
3,132,654,290 |
|
3,102,872,454 |
|
3,102,872,454 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADS used in earnings per ADS computation |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
|
|
1,546,150,295 |
|
1,537,258,688 |
|
1,537,258,688 |
|
1,543,668,873 |
|
1,531,507,103 |
|
1,531,507,103 |
|
Diluted |
|
|
1,567,356,601 |
|
1,559,235,663 |
|
1,559,235,663 |
|
1,566,327,145 |
|
1,551,436,227 |
|
1,551,436,227 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
TENCENT MUSIC ENTERTAINMENT GROUP |
|||||||||||
|
UNAUDITED NON-IFRS FINANCIAL MEASURE |
|||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Three Months Ended September 30 |
|
Nine Months Ended September 30 |
||||||||
|
|
2024 |
|
2025 |
|
2024 |
|
2025 |
||||
|
|
RMB |
|
RMB |
|
US$ |
|
RMB |
|
RMB |
|
US$ |
|
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
|
(in millions, except per share data) |
|
(in millions, except per share data) |
||||||||
|
Profit for the period |
1,709 |
|
2,212 |
|
311 |
|
5,033 |
|
9,067 |
|
1,274 |
|
Adjustments: |
|
|
|
|
|
|
|
|
|
|
|
|
Amortization of intangible and other assets arising from business acquisitions or combinations* |
109 |
|
97 |
|
14 |
|
330 |
|
291 |
|
41 |
|
Share-based compensation |
168 |
|
211 |
|
30 |
|
525 |
|
519 |
|
73 |
|
Losses/(Gains) from investments** |
- |
|
14 |
|
2 |
|
16 |
|
(2,363) |
|
(332) |
|
Income tax effects*** |
(46) |
|
(57) |
|
(8) |
|
(167) |
|
(171) |
|
(24) |
|
Non-IFRS Net Profit |
1,940 |
|
2,477 |
|
348 |
|
5,737 |
|
7,343 |
|
1,031 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Attributable to: |
|
|
|
|
|
|
|
|
|
|
|
|
Equity holders of the Company |
1,814 |
|
2,405 |
|
338 |
|
5,391 |
|
7,103 |
|
998 |
|
Non-controlling interests |
126 |
|
72 |
|
10 |
|
346 |
|
240 |
|
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per share for Class A and Class B
|
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
0.59 |
|
0.78 |
|
0.11 |
|
1.75 |
|
2.32 |
|
0.33 |
|
Diluted |
0.58 |
|
0.77 |
|
0.11 |
|
1.72 |
|
2.29 |
|
0.32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Earnings per ADS (2 Class A shares equal to 1 ADS) |
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
1.17 |
|
1.56 |
|
0.22 |
|
3.49 |
|
4.64 |
|
0.65 |
|
Diluted |
1.16 |
|
1.54 |
|
0.22 |
|
3.44 |
|
4.58 |
|
0.64 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Shares used in earnings per Class A and Class B ordinary share computation: |
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
3,092,300,590 |
|
3,074,517,375 |
|
3,074,517,375 |
|
3,087,337,746 |
|
3,063,014,206 |
|
3,063,014,206 |
|
Diluted |
3,134,713,201 |
|
3,118,471,326 |
|
3,118,471,326 |
|
3,132,654,290 |
|
3,102,872,454 |
|
3,102,872,454 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
ADS used in earnings per ADS computation |
|
|
|
|
|
|
|
|
|
|
|
|
Basic |
1,546,150,295 |
|
1,537,258,688 |
|
1,537,258,688 |
|
1,543,668,873 |
|
1,531,507,103 |
|
1,531,507,103 |
|
Diluted |
1,567,356,601 |
|
1,559,235,663 |
|
1,559,235,663 |
|
1,566,327,145 |
|
1,551,436,227 |
|
1,551,436,227 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
* Represents the amortization of identifiable assets, including intangible assets such as domain name, trademark, copyrights, supplier resources, corporate customer relationships and non-compete agreement etc., and fair value adjustment on music content (i.e., signed contracts obtained for the rights to access to the music contents for which the amount was amortized over the contract period), resulting from business acquisitions or combination. |
|||||||||||
|
** Including the net gains/losses on deemed disposals/disposals of investments, fair value changes arising from investments, impairment provision of investments and other expenses in relation to equity transactions of investments. |
|||||||||||
|
*** Represents the income tax effects of Non-IFRS adjustments. |
|||||||||||
|
TENCENT MUSIC ENTERTAINMENT GROUP |
||||||
|
CONSOLIDATED BALANCE SHEETS |
||||||
|
|
|
|
|
|
|
|
|
|
|
As at December 31, 2024 |
|
As at September 30, 2025 |
||
|
|
|
RMB |
|
RMB |
|
US$ |
|
|
|
Audited |
|
Unaudited |
|
Unaudited |
|
|
|
(in millions) |
||||
|
ASSETS |
|
|
|
|
|
|
|
Non-current assets |
|
|
|
|
|
|
|
Property, plant and equipment |
|
803 |
|
1,049 |
|
147 |
|
Land use rights |
|
2,364 |
|
2,308 |
|
324 |
|
Right-of-use assets |
|
295 |
|
309 |
|
43 |
|
Intangible assets |
|
2,049 |
|
2,944 |
|
414 |
|
Goodwill |
|
19,647 |
|
20,517 |
|
2,882 |
|
Investments accounted for using equity method |
|
4,669 |
|
1,856 |
|
261 |
|
Financial assets at fair value through other comprehensive income |
14,498 |
|
30,940 |
|
4,346 |
|
|
Other investments |
|
309 |
|
305 |
|
43 |
|
Prepayments, deposits and other assets |
|
425 |
|
373 |
|
52 |
|
Deferred tax assets |
|
422 |
|
538 |
|
76 |
|
Term deposits |
|
10,419 |
|
13,810 |
|
1,940 |
|
|
|
55,900 |
|
74,949 |
|
10,528 |
|
|
|
|
|
|
|
|
|
Current assets |
|
|
|
|
|
|
|
Inventories |
|
23 |
|
57 |
|
8 |
|
Accounts receivable |
|
3,508 |
|
3,682 |
|
517 |
|
Prepayments, deposits and other assets |
|
3,793 |
|
3,843 |
|
540 |
|
Other investments |
|
46 |
|
50 |
|
7 |
|
Term deposits |
|
13,999 |
|
11,015 |
|
1,547 |
|
Restricted Cash |
|
11 |
|
15 |
|
2 |
|
Cash and cash equivalents |
|
13,164 |
|
11,255 |
|
1,581 |
|
|
|
34,544 |
|
29,917 |
|
4,202 |
|
|
|
|
|
|
|
|
|
Total assets |
|
90,444 |
|
104,866 |
|
14,730 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EQUITY |
|
|
|
|
|
|
|
Equity attributable to equity holders of the Company |
|
|
|
|
|
|
|
Share capital |
|
2 |
|
2 |
|
0 |
|
Additional paid-in capital |
|
29,035 |
|
29,895 |
|
4,199 |
|
Shares held for share award schemes |
|
(520) |
|
(794) |
|
(112) |
|
Treasury shares |
|
(550) |
|
(664) |
|
(93) |
|
Other reserves |
|
19,845 |
|
27,124 |
|
3,810 |
|
Retained earnings |
|
20,051 |
|
27,188 |
|
3,819 |
|
|
|
67,863 |
|
82,751 |
|
11,624 |
|
Non-controlling interests |
|
1,863 |
|
2,682 |
|
377 |
|
|
|
|
|
|
|
|
|
Total equity |
|
69,726 |
|
85,433 |
|
12,001 |
|
|
|
|
|
|
|
|
|
LIABILITIES |
|
|
|
|
|
|
|
Non-current liabilities |
|
|
|
|
|
|
|
Notes payables |
|
3,572 |
|
3,534 |
|
496 |
|
Other payables and other liabilities |
|
- |
|
365 |
|
51 |
|
Deferred tax liabilities |
|
198 |
|
679 |
|
95 |
|
Lease liabilities |
|
219 |
|
227 |
|
32 |
|
Deferred revenue |
|
179 |
|
280 |
|
39 |
|
|
|
4,168 |
|
5,085 |
|
714 |
|
|
|
|
|
|
|
|
|
Current liabilities |
|
|
|
|
|
|
|
Accounts payable |
|
6,879 |
|
6,619 |
|
930 |
|
Other payables and other liabilities |
|
3,381 |
|
3,269 |
|
459 |
|
Notes payables |
|
2,154 |
|
- |
|
- |
|
Current tax liabilities |
|
934 |
|
948 |
|
133 |
|
Lease liabilities |
|
106 |
|
104 |
|
15 |
|
Deferred revenue |
|
3,096 |
|
3,408 |
|
479 |
|
|
|
16,550 |
|
14,348 |
|
2,015 |
|
|
|
|
|
|
|
|
|
Total liabilities |
|
20,718 |
|
19,433 |
|
2,730 |
|
|
|
|
|
|
|
|
|
Total equity and liabilities |
|
90,444 |
|
104,866 |
|
14,730 |
|
|
|
|
|
|
|
|
|
TENCENT MUSIC ENTERTAINMENT GROUP |
||||||||||||
|
CONDENSED CONSOLIDATED STATEMENTS OF CASH FLOWS |
||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Three Months Ended September 30 |
|
Nine Months Ended September 30 |
||||||||
|
|
|
2024 |
|
2025 |
|
2024 |
|
2025 |
||||
|
|
|
RMB |
|
RMB |
|
US$ |
|
RMB |
|
RMB |
|
US$ |
|
|
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
Unaudited |
|
|
|
(in millions) |
|
(in millions) |
||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Net cash provided by operating activities |
|
2,165 |
|
3,683 |
|
517 |
|
7,795 |
|
7,840 |
|
1,101 |
|
Net cash used in investing activities |
|
(3,337) |
|
(1,244) |
|
(175) |
|
(8,142) |
|
(5,098) |
|
(716) |
|
Net cash used in financing activities |
|
(882) |
|
(2,122) |
|
(298) |
|
(3,015) |
|
(4,634) |
|
(651) |
|
Net (decrease)/increase in cash and cash equivalents |
|
(2,054) |
|
317 |
|
45 |
|
(3,362) |
|
(1,892) |
|
(266) |
|
Cash and cash equivalents at beginning of the period |
|
12,251 |
|
10,999 |
|
1,545 |
|
13,567 |
|
13,164 |
|
1,849 |
|
Exchange differences on cash and cash equivalents |
|
12 |
|
(61) |
|
(9) |
|
4 |
|
(17) |
|
(2) |
|
Cash and cash equivalents at end of the period |
|
10,209 |
|
11,255 |
|
1,581 |
|
10,209 |
|
11,255 |
|
1,581 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
View original content:https://www.prnewswire.com/news-releases/
SOURCE Tencent Music Entertainment Group