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Music Licensing, Inc. (OTC: SONG), also known as Pro Music Rights (PMR), is a publicly traded entertainment company in the communication services sector that focuses on music rights and royalties. The company describes itself as a diversified holding company and the fifth public performance rights organization (PRO) established in the United States, recognized under the federal registry of the U.S. government.

Music Licensing, Inc. specializes in the acquisition, management, licensing, and monetization of music royalties and related intellectual property. Through Pro Music Rights, the company licenses public performance rights for a large catalog of musical works to prominent digital platforms and businesses. According to company disclosures, its licensing clients include platforms such as TikTok, iHeartMedia, Triller, Napster, 7Digital, Vevo, and others.

Business model and operations

The company’s core business centers on public performance rights and royalty interests. Pro Music Rights reports that it holds an estimated 7.4% share of the U.S. public performance rights market, administering a catalog of more than 2.5 million musical works. These works include compositions and recordings by a wide range of notable artists, as well as content generated using artificial intelligence (AI).

Music Licensing, Inc. also states that it maintains royalty interests in the Listerine "Mouthwash" Antiseptic brand and in a large portfolio of musical works performed by globally recognized artists. This positions the company as a holder and manager of intellectual property assets that can generate recurring royalty income when the underlying works are used or performed.

Pro Music Rights (PMR) as a performance rights organization

Pro Music Rights functions as a performance rights organization within the United States. The company notes that it is the fifth PRO established in the country and that it participates in the broader public performance licensing ecosystem. PMR’s catalog is described as including works by artists such as A$AP Rocky, Wiz Khalifa, Pharrell, Young Jeezy, Juelz Santana, Lil Yachty, MoneyBagg Yo, Larry June, Trae Pound, Sauce Walka, Trae Tha Truth, Sosamann, Soulja Boy, Lex Luger, Trauma Tone, Lud Foe, SlowBucks, Gunplay, OG Maco, Rich The Kid, Fat Trel, Young Scooter, Nipsey Hussle, Famous Dex, Boosie Badazz, Shy Glizzy, 2 Chainz, Migos, Gucci Mane, Young Dolph, Trinidad James, Chingy, Lil Gnar, 3OhBlack, Curren$y, Fall Out Boy, Money Man, Dej Loaf, Lil Uzi Vert, and others.

In addition, the company reports royalty interests in works performed by artists including The Weeknd, Justin Bieber, Kanye West, Elton John, Mike Posner, blackbear, Lil Nas X, Lil Yachty, DaBaby, Stunna 4 Vegas, Miley Cyrus, Lil Wayne, XXXTentacion, BlueFace, The Game, Jeremih, Ty Dolla $ign, Eric Bellinger, Ne-Yo, MoneyBagg Yo, Halsey, Desiigner, DaniLeigh, Rihanna, and others.

Licensing approach and creator focus

In its public statements and responses to regulatory inquiries, Music Licensing, Inc. and Pro Music Rights emphasize a creator-centric and transparency-focused approach to music licensing. PMR has described its licensing framework as using a flat monthly base fee per location and a usage-based fee structure that is capped at a specified rate per unit of usage, applied only to the fractional share of compositions it represents. The company presents this model as an alternative to more complex or opaque arrangements in the traditional PRO landscape.

PMR also highlights its involvement with works generated by artificial intelligence, noting that its catalog includes AI-generated musical content alongside works by established recording artists. The company’s public communications position this as part of a broader strategy to manage and monetize a diverse and evolving set of music rights.

Regulatory engagement and industry positioning

Music Licensing, Inc. and Pro Music Rights have taken active positions in policy and regulatory discussions about the U.S. music licensing framework. They have submitted responses to the U.S. Copyright Office’s Notices of Inquiry, where they criticize what they describe as anti-competitive behavior and opaque practices by legacy PROs and related organizations. In these filings, the company advocates for reforms that emphasize financial transparency, equitable royalty distributions, and limits on practices it characterizes as monopolistic or exclusionary.

The company has also publicly addressed its interactions with policymakers and industry groups. In one instance, Music Licensing, Inc. and PMR stated that they are exploring potential antitrust and defamation actions in response to what they describe as mischaracterizations of their business and repertoire by certain political and industry figures. These statements frame the company as an independent competitor in the U.S. music licensing marketplace that is challenging established structures.

Public company status and market tier

Music Licensing, Inc. trades under the ticker SONG on the over-the-counter (OTC) markets. The company has announced steps to align its public reporting and trading status with OTC Markets Group’s OTCID Basic Market and OTCID Market Tier structures. It has described the OTCID framework as replacing the Pink Current Information tier and has stated its intention to meet the associated disclosure and profile requirements.

The company has also reported the engagement and planned engagement of Public Company Accounting Oversight Board (PCAOB)–registered audit firms to review its financial statements and conduct annual audits. According to its disclosures, these actions are intended to support PCAOB-compliant financial reporting standards, enhance transparency, and strengthen its position in the public markets.

Intellectual property enforcement and legal actions

Music Licensing, Inc. has disclosed that it pursues legal remedies to protect its contractual and intellectual property interests. For example, the company has announced the entry of a final default judgment in its favor in a court in Collier County, Florida, which it characterizes as part of its efforts to enforce obligations owed to the company. It has also discussed the possibility of pursuing antitrust and defamation claims in response to statements and conduct it views as harmful to its business and reputation.

These legal and regulatory activities are presented by the company as components of its broader strategy to defend the value of its music rights portfolio, support independent music creators, and challenge practices it views as limiting competition in the performance rights market.

Artist catalog and AI-generated works

A notable feature of Music Licensing, Inc.’s disclosures is the emphasis on the breadth of its catalog and the inclusion of AI-generated works. The company reports representation of more than 2.5 million works and repeatedly highlights that its catalog spans both human-created and AI-generated music. This reflects its stated focus on managing rights across traditional and emerging forms of musical content.

The extensive list of artists associated with its catalog and royalty interests underscores the company’s focus on contemporary popular music and globally recognized performers. However, the company’s statements do not break down the specific nature of each artist’s relationship (such as whether it involves composition rights, performance rights, or other royalty streams), so available information remains at a high level.

Summary

According to its public communications, Music Licensing, Inc. (SONG) is a music rights and royalty-focused holding company operating through its Pro Music Rights performance rights organization. It concentrates on licensing public performance rights to digital platforms and businesses, managing a large catalog of musical works, and holding royalty interests in both musical and non-musical intellectual property. The company presents itself as an independent participant in the U.S. PRO landscape, emphasizing transparency, creator-focused licensing structures, regulatory engagement, and the enforcement of its contractual and IP rights.