Filed by Netflix, Inc.
Pursuant to Rule 14a-12 under the
Securities and Exchange Act of 1934, as amended
Subject Company: Warner Bros. Discovery, Inc.
Commission File No.: 001-34177
Date: February 20, 2026
On
February 20, 2026, Ted Sarandos, Co-Chief Executive Officer of Netflix, Inc. appeared on “The Claman Countdown” with Liz Claman. A transcript of the interview can be found below.
Liz Claman: Joining me now in his first reaction to that letter and the latest developments is
Netflix Co-CEO Ted Sarandos. Ted thanks for coming on the show.
Ted Sarandos: Thanks for having
me on.
Liz Claman: Quite the poison pen letter James Cameron wrote, he did say, I have the letter, he did say “Mr. Sarandos is a good
person,” but he outright has endorsed Paramount’s bid and that Netflix ownership of WBD would be “a disaster.” What is your response to James Cameron?
Ted Sarandos: Well look if you think you were surprised by that letter, I was particularly surprised, I met with James personally in late December and
laid out for him our 45-day commitment to theatrical exhibition of films and to the Warner Bros. slate. I have talked about that commitment in the press countless times, I swore under oath in front of the
Senate Subcommittee on Antitrust that is what we would be doing so I’m particularly surprised and disappointed that James chose to be part of the Paramount disinformation campaign that’s been going on for months about this deal.
Liz Claman: Yeah, one thing in his letter, he flat out said you guys were putting in, pledging theatrical release window of just 17 days which he
called ridiculously short. I have heard you say over and over it’s 45 days. Can you clarify here and now?
Ted Sarandos: It’s 45 days
of theatrical exclusivity. That has been clear from the beginning. I never even uttered the words 17-day window. So, I don’t know where it came from or why he would be part of that machine. I responded
to Senator Lee’s letter this morning, so we will see where he goes.
Liz Claman: You know, another of his stated concerns, pretty much the
chief concern, that if Netflix prevails you guys will winnow down the current 15 movies per year WBD releases to theaters, which he said would be a death knell to theater operators and creators. Is that true?
Ted Sarandos: Again, an ironic claim, considering that in the alternative to our deal, we will keep Warner Bros. film and television studio running
largely as it is today. Movies going into the theaters for 45 days, a healthy robust slate of films every year, that is going to continue. This deal is contingent on that for it to work. All of that is priced into the deal, the $4 billion in
theatrical revenue that Warner Bros. made last year. We want to keep winning on that threshold and we want to keep investing on it. They just opened their ninth number one movie in a row. They know exactly what they are doing here, and we want to
continue to grow that healthy business. In the alternative, Paramount has vowed to cut $6 billion out of that business. Now, if you do the math, they have also vowed to de-lever the business from where it
is going to be, 6 to 7 times, down to 2.5 times. And to do that they would have to cut $16 billion out of the company in very short order. Now if you look at that and say where do you make $16 billion worth of cuts, you only do that in
production or people, cutting jobs. And one thing with Netflix, I’m very proud of our track record, on production, production in America, creating jobs, our productions created 155,000 jobs in America. $250 billion in economic impact in
America from our production, and we are vowing to continue to invest in that like we have been investing in Netflix for the last 25 years.
Liz
Claman: You know, I don’t know if there is something wrong with how you guys are messaging this out there because we do look at the numbers. You’ve not only created jobs, but New Jersey is right across the river here. You’ve
broken ground on a billion-dollar expense to create 12 soundstages and hire what I imagine a lot of people, will actual feature films be shot on those soundstages? That to me you could put that out there, if it’s true, and that would calm some
of the Hollywood elite.